Showing posts with label King Arthur. Show all posts
Showing posts with label King Arthur. Show all posts

Sunday, September 6, 2015

Character Spotlight: Orlando of Thessaly (Knight of the Blue Surcoat)

I am working through some posts on my upcoming novel, Knight of the Blue Surcoat (description here), and last month, I did a post about the protagonist, Melora. However, Melora isn't the only important character in the novel. In fact, there is a second main character, Prince Orlando of Thessaly, and it's time to introduce him to the blog. (All pictures are either in the public domain, or my own, and were inspirations for Orlando)
A Macedonian statue of Alexander the Great (link)

Who is Orlando?

Orlando is the third (and youngest) son of King Gustavus of Thessaly. Thessaly, of course, was a large region in the middle of Ancient and early Greece, and was known as Aeolia in the writings of Homer (and other early writers). It was famous as the home of "heroes" Jason and Achilles, and was renowned for its horses. Both of those facts actually come up in KotBS.

As the youngest son (or the spare*), Orlando has devoted much of his time to besting his brothers Jason and Heracles in every subject, in the hopes of getting Gustavus to acknowledge him. This has backfired, making his brothers despise and envy him. To escape his gloomy home, Orlando studies Greek, Latin, and history, and horse training. This has left him little time for socializing, and he has only one real friend, his manservant Hector. Of course, if you asked him, Orlando would say the stallion Pégosos was his best friend. Orlando raised Pégosos from a foal, and has trained him into one of the most spirited and excellent war horses in Thessaly.

Image Source
Image source
 Pégosos is said to be descended from Poseidon's horses (like Pegasus, his namesake), and I imagine him as a cross between the traditional Thessalian horse (left) and the White Friesian (right).

Orlando's Family:

Orlando's mother died when he was five, and like all children, he was devastated. His brothers and father mocked him for his easy emotions, and Orlando quickly learned to hide his feelings from them (though he finds it unnecessary and fatiguing).

Jason and Heracles are significantly older than Orlando, and model warrior princes. As such, they used Orlando as a whipping boy until the latter became skilled enough to defeat them. After years of incessant training in everything from hand-to-hand combat to javelin throwing, Orlando is a phenomenal soldier and warrior. His brothers, if possible, hate him even more than before.

Gustavus, as king of Thessaly with a healthy heir and second son, was indifferent to Orlando from the beginning. He views his easy-going youngest son as superfluous, and has little in common with him. Despite this, Orlando has always striven for his father's love and favor, even when Gustavus continues to ignore him.

Naturally, Orlando chafes under these conditions, and he decided to seek his fortune elsewhere. Word from Rome was that the British court was the place for a man to prove his mettle, and Orlando decides that he'd rather chance the cold northern shores than stay home any longer.

Orlando and Melora:

Fun loving and mischievous, but just a little arrogant, Orlando expects the Britains to be a pack of savage brutes. He is surprised to find them more welcoming to a man of his talents than anyone in Thessaly, and he becomes a bit of an overnight celebrity. 

The attention doesn't go to Orlando's head (it embarrasses him). Instead, Orlando is intrigued by the grim-faced Princess Melora, who observes silently and dislikes him from the beginning. He decides to befriend her, but his good intentions get misconstrued by Melora's serious suitors. The intense Sir Mador, in particular, seems offended by both Orlando's easy manner and careless skill.

I colored it :) However, thanks to my pesky scanner, it looks a lot better in real life.
The crayons and colored pencils (belonging to my little sister) didn't blend so well, but what can you do?

Orlando and Tournaments:

As a newcomer to Arthur's court, Orlando is expected to take part in any tournaments or competitions. This is partly so the others can watch his skill for sport, and partly so he can prove himself their equal. He came all the way to Britain trying to prove himself, so he's eager to compete against the legendary Knights of Arthur. Still, he isn't combative by nature, and he has zero desire to make enemies.

However, he can't stop other people from feeling threatened by him.
I don't even know . . .

A note on the names and setting:

The Knight of the Blue Surcoat is a novelization of a Irish-Arthurian ballad. All of the main characters' names come from this ballad and Arthurian lore, but I've basically anglicized them, or used a more standardized spelling. The Red Hall (my equivalent of Camelot) is in early medieval Wales, and the rest of the books locations are also based on real world, early medieval locales.

Footnotes:
*I keep referring to Orlando as "the spare," which isn't very nice of me. (Note: this is not an authorized definition). Basically, a spare is a royal back-up plan. If you lose the heir to battle or treachery, the next son can still take the throne and produce his own heir. A third son is even better, like a back-up for the back-up. And that's Orlando.





Saturday, August 22, 2015

Character Spotlight: Melora From "Knight of the Blue Surcoat"

So, just in case you didn't know, I have a novel coming out Summer 2016. Knight of the Blue Surcoat is historical fantasy, and you can find a brief description here.
I am planning a series of posts to introduce the novel to everyone, and what better way to do that than by character interviews?

Melora, King Arthur's daughter, is the the main character in Knight of the Blue Surcoat (or KotBS), so it's only right that we start with her. I'm so excited about this, and I hope you end up loving her as much as I do! (All pictures are either in the public domain, or my own, and were inspirations for Melora)

J. W. Waterhouse (public domain) Source

Who is Melora?

Melora is the sixteen-year-old daughter and only living child of King Arthur and Queen Guinevere, of Britain. Though her parents rule a large territory, it is in the section known as Cymru (or Wales) that Melora spends most of her time. The Red Hall, one of Arthur's residences, is where the action in Knight of the Blue Surcoat begins.

Melora's older brother (Amhar) died in a hunting accident when she was younger, leaving her terrified of horses and tearing a major rift in her family. As Arthur's heir, she has many suitors and admirers, but she has no idea if any of them are sincere, or if they only want her kingdom. And she really isn't ready to get married yet. The pressure is on as Melora tries to be her brother, a future queen, and herself, but all at the same time.

A quiet, studious girl, Melora loves to read classic works (her unconventional parents made certain that she could), play her harp, and spar with her father and rambunctious cousins.

Britomart (from the Faerie Queene, named after Britomartis)

Melora's Family:

Amhar was the center of young Melora's world. He was her teacher, confident, playmate, and best friend. Melora measures herself against him and his accomplishments, but she is also comforted by her treasured memories of him. Nevertheless, his violent death still deeply affects Melora and their parents.

Her cousins, the Orkney brothers, are her closest companions and friends. Sir Gawain, in particular, has filled a bit of the hole that Amhar left, though he is wild, brash, and significantly older than Melora.

Though Gawain is important to Melora, no one holds more sway over her than her father, the legendary King Arthur. He is her hero and her role model, and she resents herself for not being the heir he needs to carry on his legacy. Though they are close, they rarely speak about Amhar, and Melora constantly wonders if Arthur compares his two children like she does.

Though Melora is close to her father and cousins, she is finding it harder and harder to relate to her mother, the beautiful Guinevere. Guinevere is elegant, poised, gracious - which gives her little in common with Melora. Naturally, Melora loves her mother, but she feels inadequate and awkward in the Queen's presence, and they both have trouble opening up and sharing their feelings.
Britomart again

Merlin, Sir Mador and Prince Orlando:

Merlin is Arthur's confidant, friend, and closest adviser. He is also a skilled mage and wise man. Melora is intimidated by him, but she knows that he only seeks the best for the royal family. However, he sometimes takes this too far. Merlin seems to think anything is justified if it's good for the kingdom (and his definition of good).

As Arthur's heir, Melora has many suitors, even at her young age. However, the chief suitor (and only really important one) is the Spanish knight, Sir Mador. Eloquent and dashing, Mador frightens Melora with both his dogged pursuit and his polish. Still, she's flattered by his attentions, and he isn't a fool or a fop, so she's reluctant to discourage him.

Orlando is newly arrived at The Red Hall. He's from Thessaly (Ancient region of Greece), and the youngest of three (so he's the spare). Unlike most of the younger men, he has zero interest in finding a wife. He's much more concerned with proving himself as worthy as his older brothers. His interests include studying philosophy, eating, and horses. Melora finds him bold, rude, and alarming, especially when he rides a giant horse into the hall itself. (Bad. Breeding.)

Melora and the Witchwood

Outside of The Red Hall is a massive forest. Though most of it is normal trees and average dangerous, the forest also straddles the border of The Otherworld - the realm of spirits and the Faye. As nights grow long and dark in The Red Hall, King Arthur sends restless, hot-blooded knights into the forest to seek "a wonder," some strange occurrence to regale the company with at feasts. Melora wants to enter the forest, but she's not a knight, and she's far too valuable for such a risky enterprise. Still, she chafes at home, surrounded by so many expectations, and she wishes she could prove herself (as Amhar certainly would have) as worthy to serve her king as any of the knights.

Public Domain. Found here

A note on the names and setting:

The Knight of the Blue Surcoat is a novelization of a Irish-Arthurian ballad. All of the main characters' names come from this ballad and Arthurian lore, but I've basically anglicized them, or used a more standardized spelling. The Red Hall (my equivalent of Camelot) is in early medieval Wales, and the rest of the books locations are also based on real world, early medieval locales.
A quick cartoon sketch of Melora (that I did a few minutes ago . . .)






Wednesday, August 12, 2015

Extra! Extra! Read All About It! My Book Will Be In Print, 2016!

So, peoples of the internet, I hinted a few weeks ago that I had big writing news, and here it is:


My debut novel, Knight of the Blue Surcoat, is scheduled to be published with Neverland Publishing in Summer 2016. This is really early on (ink fresh on the contract and all that), but it is a huge deal to me and a major life goal!


Neverland is a small, independent house out of Florida, specializing in print (paperback) editions and ebooks. Indie, of course, means that there is no machine behind things, and I'll have to do a lot of promoting and marketing myself. And that is fine with me! I have a book, and the book is getting published, I will shout it from the mountaintops if I must. (See what a life goal can do to an introvert?)

So details, details. I haven't mentioned Surcoat (I haven't mentioned a lot of my books) on the blog, but today I aim to change that. Starting right now, you can expect a weekly post about Knight of the Blue Surcoat, the characters, and why I think you might like it. I'll start with a blurb:

Knight of the Blue Surcoat by R. L. Hendrian 

 Being King Arthur’s daughter isn't easy, but being his only heir is a nightmare. Sixteen-year old Melora has struggled with her role ever since her older brother was trampled to death in a hunting accident. Her father raised her to be a warrior queen, but Melora is too valuable to be allowed to test herself beyond the castle walls. She is trapped, surrounded by suitors who want her kingdom, and suffocated by her parents’ love. She wants to escape, but how can she leave when even the sight of a horse makes her paralyzed with fear?
Prince Orlando is expendable. His arrogant brothers and distant father were thrilled for him (and his prize stallion) to leave tiny Thessaly. Orlando heard tales of Arthur’s court, where men are measured by their worth. He came to prove himself; he didn’t plan on Melora. Her fear of horses is a challenge Orlando is willing to take, but befriending the princess earns him powerful enemies, including the wizard Merlin and Melora's many suitors.
When Merlin curses Orlando to eternal imprisonment in the Celtic Otherworld, only Melora can save him and break the curse. But first, she’ll have to get on a horse. Melora travels from British shores to the coast of India on a madcap quest to find the keys to unlocking Orlando’s prison. Melora must overcome warriors, outsmart kings, and face her deepest fears if she wants to get Orlando out alive. Even if she can break the curse, will there be anything of Orlando left to save?
So, there you have it, my debut novel, and I'm SO EXCITED!!!

Granted, the publication process is a long one, so I'll be bursting at the seams for about a year. Assuming all goes well, I should have an exact release date by next Spring. Having seen a bit of the process from the inside, I know just how much time this all can take, but I wanted to spread the word now.

This announcement also serves as a call for future readers. If you love fantasy or King Arthur and are interested in reading review copies, I am starting a list. If you are a blogger or reviewer who thinks they'd like an (eventual) ARC, comment here, and I'll put you on a list for later contact.
SO EXCITED!!



Wednesday, May 20, 2015

Top 10 Fictional Worlds I'd Like to Visit (Top 10 Tuesday) (with reasons, gifs, footnotes, and theories as to why I'd leave)

It's Tuesday, which means it's time for Top 10 Tuesday with The Broke and The Bookish. For instructions on how to participate, click here.

Usually there is a theme for the list, but this week is a freebie, which means that we have all picked our own topic. My topic: The Top 10 Fictional Worlds I'd Like to Visit (with reasons, gifs, footnotes, and theories as to why I'd leave)

1. Middle Earth (from The Silmarillion, The Hobbit, and LOTR)

Image Credit
As soon as my feet touched that fantastical grass, I'd be off.
The Shire, Mirkwood, Rivendell, Lorien, and Rohan would be top of my must-see list.
Elves, dwarves, hobbits, food, the clothes, roughing it Fellowship style . . . why would you ever leave?

Image Credit



I have a theory: Basically, it would be like high school, where everyone in Middle Earth would be the "cool kids table," and I'd be that person who everyone felt kind of bad for, but still didn't let sit with them (you know the one, the one trying so hard to be all elvish and awesome, and failing miserably).

That, or I'd get eaten by a spider when I was in Mirkwood.


2. The Enchanted Forest (from the Enchanted Forest Chronicles by Patricia Wrede)

Artist: Peetasokka Image Credit
If I survived Mirkwood, I think a kindlier, more whimsical magic forest might be in order. Dealing with Dragons was (still is) one of my favorite fantasy novels, and it still cracks me up. Cimorene is a kindred spirit, and I would love to help her make buckets of cherries jubilee for the dragons. After that, I would do some exploring, and hopefully not run into any annoying wizards. I'd be sure to carry spray bottles of soapy water with lemon though, as a precaution . . .
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Being polite, sensible, and not prone to eating random plants, I would probably get along just fine in this world. In the end, I'd probably leave because I'd want to see my family.

Image Credit

3. The alternate 1914 of Leviathan (Scott Westerfeld)

It's Clankers (they use machines) versus Darwinists (genetic manipulation) on the brink of World War I. Though there were parts of these books I didn't enjoy so much, I did love the crazy alternate world. It would be fascinating to explore! I would like to travel the world and compare it to actual 1914. I would probably end up leaving because I'd miss my writing and my books. As much as I like writing by hand, I'll take my laptop back, thank you very much.

4. Camelot (Gerald Morris edition)

Image Credit
Knights, picking flowers?* I am a King Arthur devotee, in all seriousness. I write retellings, I will read almost anything Arthurian, and I have a passionate love/hate relationship with the stories themselves. That being said, Le Morte d'Arthur is incredibly depressing.** Gerald Morris took all that pathos and ran over it, with scissors and a crazy grin (metaphorically). His knights go on pointless quests, take vows of silence where all they do is talk, and stumble in and out of the Otherworld at random. It is hilarious, and yet it somehow manages to stay true to the spirit of the beloved stories. Also, his version is a little kinder to the ladies. I would probably stick it out here until I was cursed by wandering Fair Folk, or swallowed by an enchanted castle, or something. If I survived that, I'd probably head somewhere a little more "modern" next.

5. Early 1800's England-a la Jonathan Strange & Mr. Norrell (Susanna Clarke)

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I sat here in a crisis of indecision over including this or Jane Austen's 19th century, only to realize that they were basically the same. But JS & MN has magic. As an American of average looks who is too fond of books and lacks sufficient funds, I doubt I'd have much chance at society (unless my book hopping came with magical powers?). Maybe I would just try to get a job as a servant? Perhaps I could pretend to be an heiress . . .

I would love to snoop on Strange and Norrell (though they'd probably discover me, non-magical person that I am). Assuming I didn't get tired of the mud or my inferior social status (or someone found out I was a fraud), I would explore this version of England until I felt too restricted (or until I got on the fairies' bad side, whatever happened first).

6. New Pacifica (Diana Peterfreund's Across a Star-Swept Sea***)

Image Credit
The islands of New Pacifica, Albion and Galatea, are stand-ins for London and Paris during the French Revolution. Across a Star-Swept Sea is a retelling of/tribute to one of my favorite novels, The Scarlet Pimpernel. Throw in crazy futuristic elements (the sea minks, the fashion, the tech), class unrest (they have good reasons), and a fascinating future world, and it is definitely a place I'd like to visit. The main thing I didn't like about the novel was the teen romance,**** but if I was exploring the islands, that would be a non-issue. And I really want to see all those lushly described island locations . . . (Pimpernel is a far superior novel, but I don't fancy visiting the actual French Revolution!).

 I'd fully intend on turning smuggler and helping to spirit people away from certain death. Which is how I'd end up leaving (what does happen if you die in a fantasy world?)

7. The Unwelcome Stranger (which is actually a ship in 1712 [seventeen twelvety] alternate timeline Earth)

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Which brings me to piracy. Long before I understood the moral implications, I really wanted to be a pirate. It was one of my favorite things to play/pretend as a kid (after wood elves!). When I was a teenager, I discovered Tanith Lee's wonderfully strange pirate fantasy, Piratica. The pirates drink coffee (instead of rum), some of them are actually traveling players, and they really only rob other pirates (and follow silly treasure maps). In other words, it's all the fun of Treasure Island with none of the serious danger (or scurvy, which is more of a deterrent). I would happily take up with Art and her (mostly) daring crew of ne'er do wells. Always a restless wanderer myself, I'd sail their way until I remembered how badly I wanted an awesome horse.

8. That obscure Caribbean Island from Walter Farley's Island Stallion

I read everything with horses on the cover when I was younger. I always wanted a horse like the Black Stallion, or Black Beauty, or even the Chincoteague ponies. I would visit the Island and camp out until I got a really awesome horse (which I would somehow manage to smuggle back). If I couldn't keep the horse, I'd leave, heartbroken.

9. Discworld from Terry Pratchett's Discworld Series

They made a play in Chicago!
I confess that I haven't read every one, but if I had to pick, I'd join up with the Monstrous Regiment ladies, disguised as a man, naturally. Or I would try to have coffee with Death. Or maybe I would just explore the glorious, ridiculous world and talk to its inhabitants. Regardless, Discworld is full of adventure, satire, looniness, and general chaos. I think I would end up leaving because it made me exhausted (or overstimulated)!


10. Harry Potter's England

I'd want a job at Flourish and Blotts, or failing that, Weasley's Wizard Wheezes. I am not above sneaking into Hogwarts. My top priority would be the library! If I had the great good fortune to arrive and find I had wizardly gifts, I would be transported with delight. If not, I'm sure I could still have plenty of fun. One of the best parts of HP is the fabulous alternate world, existing right under Muggle noses. Diagon Alley almost holds more appeal than Hogwarts, if I'm honest, and I'd love to catch a professional Quidditch match. I think I would leave eventually, and maybe start back at Middle Earth?
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Honorable Mentions: Narnia! (Chronicles of Narnia), New Beijing (Lunar Chronicles), Namid (Others Series), London Below (Neverwhere), The Well of Lost Plots (Thursday Next Series), I could go on forever. There were so many places that I'd want to go that I just went for variety in the end. 


It was hard to pick 10. However, I noticed that a lot of my favorite books weren't represented (I wouldn't really like to live in most of them, I suppose). As much as I love books like Rot & Ruin, The Haunting of Alaizabel Cray, or The Count of Monte Cristo, I am not ashamed to admit that I'd far rather read about a lot of things than live them!


What about you? Are there any fictional worlds you'd love to visit? Do you think you'd actually give up the real one for them (if you could)? How do you think you'd fit into your world choice? Tell me in the comments :)


Footnotes: 
*Actually from the soul-destroying (but hilarious) musical Camelot. Lancelot's disbelief seemed to fit here.
**I prefer the Celtic tales-less drama
***The companion novel, For Darkness Shows the Stars, is a retelling of Persuasion! I read these despite my dislike (loathing) for the author's other series. 'Nuff said, I'll keep it to myself.
****Despite the fact that it's in essence, a drippy (but not unbelievable) teen romance. I knew that going into it. It says a lot for the book that I liked it anyway.

Wednesday, January 21, 2015

Post-Reading-Tolkien Syndrome

(Note: This silly post was originally published on this wonderful blog http://www.shealynns-faerie-shoppe.blogspot.com/  in September of 2012. I thought it was worth a re-post.)

A Few Suggestions for the Effective Treatment of Post-Reading-Tolkien Syndrome


    Do you ever look outside, and wish that there were elves passing through your backyard?
    Do you watch the latest fantasy film and decide it’s just not good enough?
    Do you see mossy knolls and think, “Wouldn’t that make the cutest little Hobbit hole?”

       If you answered yes to any one of these questions, you might have Post-Reading-Tolkien Syndrome (or PRTS for short). PRTS is an uncomfortable condition, and cannot be treated by the medical community. As a sufferer of PRTS myself, I've compiled a list of helpful suggestions and activities to soothe the discomforts brought on by PRTS, and bring you back to reality with a gentle push, not a shove.


  1. First, to get yourself in the right frame of mind, you should brew a cup of tea, and bake/purchase some Lembas or Seed Cakes. If, like me, you haven’t found a working recipe for Lembas yet, you can substitute shortbread-it looks right.
  2. Listen to some music while you bake. Here are a few suggestions:
If you can’t find any of these albums or artists, just put on a Howard Shore or Celtic Internet radio station.

     Now that you have taken care of the music and the victuals (wise preparations for any adventure), you have to find another book to read. This can be a very difficult, and sometimes painful process, and you will need the music and food to fortify you. Reading any masterwork can make other books seem sub-par (or reveal the truth, if you will). So you have to let yourself down slowly. Here are some suggestions to make it easier on yourself:

If you just read The Hobbit, and are looking for light adventure fare with deep themes, read The Chronicles of Narnia or The Princess and the Goblin, or Susan Fletcher’s Dragon Chronicles. You also might try Christopher Paolini’s Eragon. If you are a young Tolkien fan and wish there were more books with fantastical places and creatures, try the Fablehaven series or Beyonders: A World Without Heroes, both by Brandon Mull, or the Redwall series.

   If you read The Lord of the Rings Trilogy, and need another series with a returning king and unlikely heroes, read Lloyd Alexander’s Chronicles of Prydain or The Monster Blood Tattoo Trilogy by D. M. Cornish (not nearly as silly as it sounds-with a very Tolkien feel!).
   If you’re feeling more epic size and fantasy to boot, also read Jonathan Strange and Mr. Norrell, by Susanna Clarke-which is an amazing book on its own. If you’re on the younger end, or more interested in humans, try the Ranger’s Apprentice Series by John Flanagan.

   If you read the Silmarillion, The Lost Tales, or Unfinished Tales, and need more dreamy locales, bittersweet endings, epic romances, legendary heroes, and/or magic, try The Forgotten Beasts of Eld, by Patricia A. McKillip, The Hero and the Crown or Chalice, Robin McKinley, the Abhorsen Trilogy by Garth Nix, Til We Have Faces, by C. S. Lewis, Le Morte D’Arthur, or The Perilous Gard by Elizabeth Marie Pope.

   If you read The Legend of Sigurd and Gudrun, try Beowulf, retro (pre 90’s) Thor comics (I’m serious),  Rosemary Sutcliff’s Historical Fiction, Ursula Le Guin’s Earthsea Series, The Song of Roland, Susan Cooper’s The Dark is Rising series, Patrick Rothfuss' The Name of the Wind, Stephen R. Lawhead’s The Dragon King Trilogy, Sir Gawain and the Green Knight (translated by Tolkien!) or good old collections of Norse Mythology.

   If you read Smith of Wootton Major or Farmer Giles of Ham, try Grimm’s Fairy Tales, Patricia Wrede’s Enchanted Forest Chronicles, T. H. White’s The Sword in the Stone,  or Cornelia Funke’s Inheart.

   If you read Roverandom, try Andrew Peterson’s Wingfeather Saga, Neil Gaiman’s Odd and the Frost Giants, or N. D. Wilson’s 100 Cupboards Trilogy.

   If you read any or all of the above, or if you need to laugh, hard, I would also recommend The Dark Lord of Derkholm by Diana Wynne Jones and Gerald Morris’s The Squire’s Tales (Arthurian mischief and humor).

And finally, if reading a book is too hard right now, here are five more activities to ease your Post-Reading-Tolkien Syndrome:


  1. Walk through a forest at twilight
  2. Watch a movie like Thor, a miniseries like the 10th Kingdom, or a TV show like Once Upon a Time.
  3. Look at Alan Lee’s and J. W. Waterhouse’s art books, or visual guides to England, Ireland, Scotland, or Wales.
  4. Write a story about Elves, Dwarves, or anything else you wish was (or wasn't) real.
  5. Phone a similarly suffering friend and commiserate, then do any of the above activities together.

From one sufferer of PRTS to another, I hope these suggestions help you on your road to recovery.

R. L. Hendrian
Pioneer in the study of PRTS and its effects.